"... Filsell has steeped himself in this music for many years and is an entirely committed and reliable guide. He played the entire oeuvre in nine recitals in London in summer 1998 and afterwards toured with them to several countries and made this recording that September on a 1979/1997 organ at Sarasota in Florida. The recorded sound is splendid and the booklet fully documented."

"... Jeremy Filsell obviously knows this score well and shows a great sensitivity towards the introspection and spirituality. Jésus recontre sa Mère is especially effective and Jésus est mis dans le sépulcre has a dignified beauty to bring the cycle to a touching close The microphones seem to have been placed at some distance from the instrument and the acoustic has the warmth and vibrancy of a large French Cathedral rather than the rather dry tones of many American recordings. The more we are able to hear of these works the more we come to appreciate the importance of Dupré not just from the few works regularly performed but from the entire range of his output." 

"... Filsell nears the end of his complete Dupré cycle with this very rewarding issue of a work the composer himself liked a great deal, often programming extracts in his recitals. The 14 Stations, familiar to all Catholics, represent episodes in Christ’s final hours from his con- damnation to the interment in the tomb. The pieces are extremely varied in mood and scope, from anxiety and fear (1) to gentle assurance and tenderness (4), through oppression and agony (3,7,9,11) to resolution and redemption (14).It ranks among his masterworks, along with the Prelude & Fugue in G minor and the Passion Symphony. It requires an Instrument capable of wide ranges in volume and tone colour, and a performer with sufficient technical ability to surmount the challenges. The organ at St Boniface Episcopal, Sarasota and the artise of Filsell are up to this challenge. His playing is especially telling in the series of three Stations depicting Christ falling under the Cross This is volume 10, and perhaps the best in Filsell’s series, full of drama and musical sensitivity." 

"... All in all a worthy conclusion to a marathon project."